Typologie, Kategorien, Entwicklung von Überwachungsnarrativen: zur Einführung

dc.bibliographicCitation.firstPage	11
dc.bibliographicCitation.lastPage	48
dc.contributor.author	Hennig, Martin
dc.contributor.author	Krah, Hans
dc.date.accessioned	2021-06-10T09:36:20Z
dc.date.available	2021-06-10T09:36:20Z
dc.date.issued	2020
dc.description.abstract	The article categorizes the role of media in relation to surveillance narratives. On this basis, a typology of surveillance narratives is developed, with the four fields 1) surveillance state, 2) surveillance mentality, 3) desire for surveillance and 4) self-monitoring. These are distinguished and differentiated by means of various media examples. In doing so, both the specifics of the respective fields and developments in cultural history that can be observed across the fields are worked out.
dc.description.url	https://www.peterlang.com/view/title/69884
dc.identifier.uri	http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/995
dc.language.iso	ger
dc.publishedIn	Berlin
dc.publisher	Peter Lang
dc.relation.doi	10.3726/b17376
dc.relation.editor	Hauptmann, Kilian
dc.relation.editor	Hennig, Martin
dc.relation.editor	Krah, Hans
dc.relation.ispartof	Narrative der Überwachung: Typen, mediale Formen und Entwicklungen
dc.rights	L
dc.subject.ddc	ddc:700
dc.subject.field	mediastudies
dc.subject.field	filmstudies
dc.subject.field	culturalstudies
dc.title	Typologie, Kategorien, Entwicklung von Überwachungsnarrativen: zur Einführung
dc.type	anthologyArticle
dc.type.version	publishedVersion
dspace.entity.type	Publication