Standing Up to Words

Writing and Resistance in Toni Morrison’s A Mercy
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dc.bibliographicCitation.firstPage73en_US
dc.bibliographicCitation.issue1en_US
dc.bibliographicCitation.lastPage89en_US
dc.bibliographicCitation.volume1en_US
dc.contributor.authorMueller, Stefanie
dc.date.accessioned2023-02-10T14:48:58Z
dc.date.available2023-02-10T14:48:58Z
dc.date.issued2014en_US
dc.description.abstractIn Toni Morrison’s A Mercy, the protagonist represents both the historical and the contemporary African American author. As Mueller argues, her act of carving words into walls can be read as an act of resistance against the historical silencing of the black voice as well as politically against symbolic violence exercised through language.en_US
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/2824
dc.identifier.urnurn:nbn:de:gbv:46-00103778-10
dc.language.isoengen_US
dc.relation.issn2198-7920en_US
dc.relation.journalBlack Studies Papersen_US
dc.rightsL::CC BY-NC 4.0en_US
dc.subject.ddcddc:810en_US
dc.subject.fieldamericanstudiesen_US
dc.subject.fieldliterarystudiesen_US
dc.titleStanding Up to Wordsen_US
dc.title.alternativeWriting and Resistance in Toni Morrison’s A Mercyen_US
dc.title.specialissueSlavery Revisiteden_US
dc.typearticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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Black Studies Papers; Vol. 01 (2014)