Black Studies Papers; Vol. 01 (2014)
Carsten Junker; Marie-Luise Löffler
Editor's Note
1 - 2 (2014)
Michel Feith
Introduction: Weaving Texts and Memories around Toni Morrison’s Beloved
3 - 23 (2014)
Sabine Broeck
Commentary (In Response to Michel Feith)
25 - 28 (2014)
Claudine Raynaud
Memory Work
29 - 36 (2014)
Judith Misrahi-Barak
Post-Beloved Writing: Review, Revitalize, Recalculate
37 - 55 (2014)
Samira Spatzek
‘Own Yourself, Woman’: Toni Morrison’s A Mercy, Early Modernity, and Property
57 - 71 (2014)
Stefanie Mueller
Standing Up to Words: Writing and Resistance in Toni Morrison’s A Mercy
73 - 89 (2014)
Emmanuelle Andrès
Reading/Writing ‘the most wretched business’: Toni Morrison’s A Mercy
91 - 104 (2014)
Monica Michlin
Writing/Reading Slavery as Trauma: Othering, Resistance, and the Haunting Use of Voice in Toni Morrison’s A Mercy
105 - 123 (2014)
Maria Varsam
To Remember or Not to Remember: Traumatic Memory and the Legacy of Slavery in Octavia E. Butler’s Kindred and Toni Morrison’s Beloved
125 - 141 (2014)
Melba Boyd
The Ghost Got It Wrong: Frances E. W. Harper and Toni Morrison. A Century A/Part
143 - 151 (2014)
Claude Le Fustec
Beyond Magic Realism: the Stuff of Ordinary Lives? Lorene Cary’s Rewriting of Beloved
153 - 166 (2014)
Stefanie Schäfer
Plantation Spaces and the Black Body: Quentin Tarantino’s Django Unchained as Maroon Narrative
167 - 187 (2014)
Christina Sharpe
The Lie at the Center of Everything
189 - 214 (2014)