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  5. Black Studies Papers; Vol. 01 (2014)
 

Black Studies Papers; Vol. 01 (2014)

Carsten Junker; Marie-Luise Löffler

Editor's Note

1 - 2 (2014)

Michel Feith

Introduction: Weaving Texts and Memories around Toni Morrison’s Beloved

3 - 23 (2014)

Sabine Broeck

Commentary (In Response to Michel Feith)

25 - 28 (2014)

Claudine Raynaud

Memory Work

29 - 36 (2014)

Judith Misrahi-Barak

Post-Beloved Writing: Review, Revitalize, Recalculate

37 - 55 (2014)

Samira Spatzek

‘Own Yourself, Woman’: Toni Morrison’s A Mercy, Early Modernity, and Property

57 - 71 (2014)

Stefanie Mueller

Standing Up to Words: Writing and Resistance in Toni Morrison’s A Mercy

73 - 89 (2014)

Emmanuelle Andrès

Reading/Writing ‘the most wretched business’: Toni Morrison’s A Mercy

91 - 104 (2014)

Monica Michlin

Writing/Reading Slavery as Trauma: Othering, Resistance, and the Haunting Use of Voice in Toni Morrison’s A Mercy

105 - 123 (2014)

Maria Varsam

To Remember or Not to Remember: Traumatic Memory and the Legacy of Slavery in Octavia E. Butler’s Kindred and Toni Morrison’s Beloved

125 - 141 (2014)

Melba Boyd

The Ghost Got It Wrong: Frances E. W. Harper and Toni Morrison. A Century A/Part

143 - 151 (2014)

Claude Le Fustec

Beyond Magic Realism: the Stuff of Ordinary Lives? Lorene Cary’s Rewriting of Beloved

153 - 166 (2014)

Stefanie Schäfer

Plantation Spaces and the Black Body: Quentin Tarantino’s Django Unchained as Maroon Narrative

167 - 187 (2014)

Christina Sharpe

The Lie at the Center of Everything

189 - 214 (2014)

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