The Gamer’s Panopticon – Überwachung und Kontrolle als Motiv und Prinzip des Computerspiels

dc.bibliographicCitation.firstPage	137
dc.bibliographicCitation.lastPage	157
dc.contributor.author	Schellong, Marcel
dc.date.accessioned	2021-06-10T09:17:04Z
dc.date.available	2021-06-10T09:17:04Z
dc.date.issued	2020
dc.description.abstract	This paper deals with the question of how computer games usually represent surveillance and control. It examines the games Papers, please, Beholder and Orwell. In the second part, connections between the process of the game and the principles of surveillance and control are sought using The Stanley Parable as an example.
dc.description.url	https://www.peterlang.com/view/title/69884
dc.identifier.uri	http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/991
dc.language.iso	ger
dc.publishedIn	Berlin
dc.publisher	Peter Lang
dc.relation.doi	10.3726/b17376
dc.relation.editor	Hauptmann, Kilian
dc.relation.editor	Hennig, Martin
dc.relation.editor	Krah, Hans
dc.relation.ispartof	Narrative der Überwachung: Typen, mediale Formen und Entwicklungen
dc.rights	L
dc.subject.ddc	ddc:700
dc.subject.field	mediastudies
dc.subject.field	culturalstudies
dc.title	The Gamer’s Panopticon – Überwachung und Kontrolle als Motiv und Prinzip des Computerspiels
dc.type	anthologyArticle
dc.type.version	publishedVersion
dspace.entity.type	Publication