Alphons Silbermann und die Neue Musik zwischen Darmstadt und Sydney in den 1950er Jahren

Perspektive eines Emigranten im Exil
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dc.bibliographicCitation.firstPage51en_US
dc.bibliographicCitation.lastPage66en_US
dc.bibliographicCitation.volume36en_US
dc.contributor.authorde Mattos Caitano, Joevan
dc.date.accessioned2022-10-25T15:25:06Z
dc.date.available2022-10-25T15:25:06Z
dc.date.issued2022en_US
dc.description.abstractBy the 1950s, Darmstadt had established itself as a platform for avant-garde music in Germany, attracting the attention of composers, instrumentalists, musicologists, journalists, and institutions worldwide. In the internationalization of the Summer Course, emigrants such as Alphons Silbermann (1909-2000) can be identified as driving forces. After the Second World War, he and the director Wolfgang Steinecke (1909-1961) worked at the Kranichsteiner Musikinstitut to invite Australian composers to Darmstadt and to inform them about new music from overseas. Based on the materials collected in the archives of the International Music Institute Darmstadt and in the Silbermann estate, the author traces the beginning of the reception of Australian music at the Darmstadt Summer Courses.en_US
dc.identifier.doi10.35515/zfa/asj.36/2022.04
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/2520
dc.language.isogeren_US
dc.language.isoengen_US
dc.relation.issn18643957en_US
dc.relation.journalZeitschrift für Australienstudien / Australian Studies Journalen_US
dc.rightsL::CC BY-NC-ND 4.0en_US
dc.subject.ddcddc:780en_US
dc.subject.fieldaustralianstudiesen_US
dc.subject.fieldmusicologyen_US
dc.titleAlphons Silbermann und die Neue Musik zwischen Darmstadt und Sydney in den 1950er Jahrenen_US
dc.title.alternativePerspektive eines Emigranten im Exilen_US
dc.title.specialissueMusic, Country, and Migrationen_US
dc.typearticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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Zeitschrift für Australienstudien / Australian Studies Journal; Vol. 36 (2022)