Facettenreichtum zwischen Didjeridu und Avantgarde
Zum kompositorischen Oeuvre von George Dreyfus
dc.bibliographicCitation.firstPage | 101 | en_US |
dc.bibliographicCitation.lastPage | 105 | en_US |
dc.bibliographicCitation.volume | 14 | en_US |
dc.contributor.author | Dorfmüller, Joachim | |
dc.date.accessioned | 2022-04-12T09:12:44Z | |
dc.date.available | 2022-04-12T09:12:44Z | |
dc.date.issued | 2000 | en_US |
dc.identifier.doi | 10.35515/zfa/asj.14/2000.08 | |
dc.identifier.uri | http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1840 | |
dc.language.iso | ger | en_US |
dc.relation.issn | 16179900 | en_US |
dc.relation.journal | Zeitschrift für Australienstudien / Australian Studies Journal | en_US |
dc.rights | L::CC BY-NC-ND 4.0 | en_US |
dc.subject.ddc | ddc:780 | en_US |
dc.subject.field | australianstudies | en_US |
dc.subject.field | musicology | en_US |
dc.title | Facettenreichtum zwischen Didjeridu und Avantgarde | en_US |
dc.title.alternative | Zum kompositorischen Oeuvre von George Dreyfus | en_US |
dc.type | article | en_US |
dc.type.version | publishedVersion | en_US |
dspace.entity.type | Publication |