Facettenreichtum zwischen Didjeridu und Avantgarde

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dc.bibliographicCitation.firstPage101en_US
dc.bibliographicCitation.lastPage105en_US
dc.bibliographicCitation.volume14en_US
dc.contributor.authorDorfmüller, Joachim
dc.date.accessioned2022-04-12T09:12:44Z
dc.date.available2022-04-12T09:12:44Z
dc.date.issued2000en_US
dc.identifier.doi10.35515/zfa/asj.14/2000.08
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1840
dc.language.isogeren_US
dc.relation.issn16179900en_US
dc.relation.journalZeitschrift für Australienstudien / Australian Studies Journalen_US
dc.rightsL::CC BY-NC-ND 4.0en_US
dc.subject.ddcddc:780en_US
dc.subject.fieldaustralianstudiesen_US
dc.subject.fieldmusicologyen_US
dc.titleFacettenreichtum zwischen Didjeridu und Avantgardeen_US
dc.title.alternativeZum kompositorischen Oeuvre von George Dreyfusen_US
dc.typearticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication

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Zeitschrift für Australienstudien / Australian Studies Journal; Vol. 14 (2000)