Can Man with a Movie Camera Shoot Enemy Zero? Convergence and Transcoding in Michael Nyman’s Musical Scores

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dc.bibliographicCitation.firstPage195en_US
dc.bibliographicCitation.lastPage207en_US
dc.contributor.authorValente, Andrea C.
dc.date.accessioned2021-08-26T06:58:49Z
dc.date.available2021-08-26T06:58:49Z
dc.date.issued2015en_US
dc.identifier.doi10.17875/gup2021-1707
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1342
dc.language.isoengen_US
dc.publishedInGöttingenen_US
dc.publisherGöttingen University Pressen_US
dc.relation.doi10.17875/gup2015-840
dc.relation.editorGeorgi, Claudia
dc.relation.editorGlaser, Brigitte Johanna
dc.relation.ispartofConvergence Culture Reconsidereden_US
dc.relation.ispartofaltMedia - Participation - Environmentsen_US
dc.relation.ispartofseriesGöttinger Schriften zur Englischen Philologie; 9
dc.rightsL::CC BY-SA 4.0en_US
dc.subject.ddcddc:780en_US
dc.subject.fieldmediastudiesen_US
dc.subject.fieldculturalstudiesen_US
dc.subject.fieldmusicologyen_US
dc.titleCan Man with a Movie Camera Shoot Enemy Zero? Convergence and Transcoding in Michael Nyman’s Musical Scoresen_US
dc.typeanthologyArticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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GSEP 09: Convergence Culture Reconsidered: Media - Participation - Environments