Camping with the Stars: Queer Perfomativity, Pop Intertextuality, and Camp in the Pop Art of Lady Gaga

dc.bibliographicCitation.volume11
dc.contributor.authorHorn, Katrin
dc.date.accessioned2021-02-22T09:12:49Z
dc.date.available2021-02-22T09:12:49Z
dc.date.issued2010
dc.description.abstractThe article is concerned with the possibility of employing countercultural and subversive strategies in U.S. mainstream media. The concept in question is camp, historically rooted in gay subculture, as performed by pop artist Lady Gaga. She is presented as challenging gender as well as aesthetic norms in her performances via the employment of camp—thus opening her public persona to queer readings.
dc.description.urlhttps://copas.uni-regensburg.de/article/view/131
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/785
dc.language.isoeng
dc.relation.issn1861-6127
dc.relation.journalCurrent Objectives of Postgraduate American Studies
dc.rightsL::CC BY 4.0
dc.subject.ddcddc:305.3
dc.subject.fieldamericanstudies
dc.subject.fieldmediastudies
dc.subject.fieldgenderstudies
dc.subject.fieldculturalstudies
dc.titleCamping with the Stars: Queer Perfomativity, Pop Intertextuality, and Camp in the Pop Art of Lady Gaga
dc.typearticle
dc.type.versionpublishedVersion
dspace.entity.typePublication
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