'All that murdering and fucking, and no sons!' Martin Scorseses The Departed als Tragödie der Männlichkeit

dc.bibliographicCitation.firstPage128
dc.bibliographicCitation.lastPage144
dc.contributor.authorSchwanebeck, Wieland
dc.date.accessioned2021-01-11T10:07:21Z
dc.date.available2021-01-11T10:07:21Z
dc.date.issued2013
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/744
dc.language.isoger
dc.publishedInMarburg
dc.publisherSchüren
dc.relation.editorHenke, Jennifer
dc.relation.editorKrakowski, Magdalena
dc.relation.editorMoldenhauer, Benjamin
dc.relation.editorSchmidt, Oliver
dc.relation.ispartofHollywood reloaded: Genrewandel und Medienerfahrung nach der Jahrtausendwende
dc.relation.ispartofseriesSchriftenreihe zur Textualität des Films; 5
dc.rightsL::The Stacks License
dc.subject.ddcddc:791
dc.subject.fieldamericanstudies
dc.subject.fieldfilmstudies
dc.title'All that murdering and fucking, and no sons!' Martin Scorseses The Departed als Tragödie der Männlichkeit
dc.typeanthologyArticle
dc.type.versionpublishedVersion
dspace.entity.typePublication
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