'All that murdering and fucking, and no sons!' Martin Scorseses The Departed als Tragödie der Männlichkeit
dc.bibliographicCitation.firstPage | 128 | |
dc.bibliographicCitation.lastPage | 144 | |
dc.contributor.author | Schwanebeck, Wieland | |
dc.date.accessioned | 2021-01-11T10:07:21Z | |
dc.date.available | 2021-01-11T10:07:21Z | |
dc.date.issued | 2013 | |
dc.identifier.uri | http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/744 | |
dc.language.iso | ger | |
dc.publishedIn | Marburg | |
dc.publisher | Schüren | |
dc.relation.editor | Henke, Jennifer | |
dc.relation.editor | Krakowski, Magdalena | |
dc.relation.editor | Moldenhauer, Benjamin | |
dc.relation.editor | Schmidt, Oliver | |
dc.relation.ispartof | Hollywood reloaded: Genrewandel und Medienerfahrung nach der Jahrtausendwende | |
dc.relation.ispartofseries | Schriftenreihe zur Textualität des Films; 5 | |
dc.rights | L::The Stacks License | |
dc.subject.ddc | ddc:791 | |
dc.subject.field | americanstudies | |
dc.subject.field | filmstudies | |
dc.title | 'All that murdering and fucking, and no sons!' Martin Scorseses The Departed als Tragödie der Männlichkeit | |
dc.type | anthologyArticle | |
dc.type.version | publishedVersion | |
dspace.entity.type | Publication |