Daydreams of Society
| dc.bibliographicCitation.firstPage | 1 | en_US |
| dc.bibliographicCitation.lastPage | 21 | en_US |
| dc.contributor.author | Mayer, Ruth | |
| dc.date.accessioned | 2022-07-13T11:27:43Z | |
| dc.date.available | 2022-07-13T11:27:43Z | |
| dc.date.issued | 2019 | en_US |
| dc.identifier.uri | http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/2144 | |
| dc.language.iso | eng | en_US |
| dc.publishedIn | New Brunswick | en_US |
| dc.publisher | Rutgers University Press | en_US |
| dc.relation.editor | Konzett, Delia Malia | |
| dc.relation.ispartof | Hollywood at the Intersection of Race and Identity | en_US |
| dc.rights | L::CC BY 4.0 | en_US |
| dc.subject.ddc | ddc:305.3 | en_US |
| dc.subject.ddc | ddc:791 | en_US |
| dc.subject.field | americanstudies | en_US |
| dc.subject.field | filmstudies | en_US |
| dc.subject.field | genderstudies | en_US |
| dc.subject.field | popularculture | en_US |
| dc.title | Daydreams of Society | en_US |
| dc.title.alternative | Class and Gender Performances in the Cinema of the Late 1910s | en_US |
| dc.type | anthologyArticle | en_US |
| dc.type.version | acceptedVersion | en_US |
| dspace.entity.type | Publication |
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