Fighting on the Home Front: Skyfall (2012) and James Bond’s London

dc.bibliographicCitation.firstPage160
dc.bibliographicCitation.lastPage176
dc.contributor.authorSchwanebeck, Wieland
dc.date.accessioned2020-12-22T14:02:40Z
dc.date.available2020-12-22T14:02:40Z
dc.date.issued2017
dc.description.abstractWhereas the city of London mainly served as a safe haven and as the backdrop for expository scenes in the early James Bond films, it has acquired a more prominent role within the most recent films in the series. Skyfall (2012), in particular, saw a significant departure from the franchise’s traditional reliance on exotic locations and based nearly a third of its running time in the British capital. At the same time, the notion of Bond’s ‘coming home’ (which serves as a dominant motif in the film) coincides with a paradigm shift in post-9/11 geopolitics. The article traces these developments by assessing Skyfall’s depiction of London and how the film negotiates and adapts classic Bond tropes in the ‘age of terrorism’.
dc.description.urlhttps://brill.com/view/book/edcoll/9789004344013/B9789004344013_009.xml
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/730
dc.language.isoeng
dc.publishedInLeiden, Boston
dc.publisherBrill | Rodopi
dc.relation.doi10.1163/9789004344013
dc.relation.editorLindner, Oliver
dc.relation.editorSchneider, Ralf
dc.relation.ispartofLondon post-2010 in British Literature and Culture
dc.relation.ispartofseriesSpatial Practices; 24
dc.rightsL::The Stacks License
dc.subject.ddcddc:791
dc.subject.ddcddc:820
dc.subject.fieldenglishstudies
dc.subject.fieldfilmstudies
dc.titleFighting on the Home Front: Skyfall (2012) and James Bond’s London
dc.typeanthologyArticle
dc.type.versionacceptedVersion
dspace.entity.typePublication
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