Fighting on the Home Front: Skyfall (2012) and James Bond’s London
dc.bibliographicCitation.firstPage | 160 | |
dc.bibliographicCitation.lastPage | 176 | |
dc.contributor.author | Schwanebeck, Wieland | |
dc.date.accessioned | 2020-12-22T14:02:40Z | |
dc.date.available | 2020-12-22T14:02:40Z | |
dc.date.issued | 2017 | |
dc.description.abstract | Whereas the city of London mainly served as a safe haven and as the backdrop for expository scenes in the early James Bond films, it has acquired a more prominent role within the most recent films in the series. Skyfall (2012), in particular, saw a significant departure from the franchise’s traditional reliance on exotic locations and based nearly a third of its running time in the British capital. At the same time, the notion of Bond’s ‘coming home’ (which serves as a dominant motif in the film) coincides with a paradigm shift in post-9/11 geopolitics. The article traces these developments by assessing Skyfall’s depiction of London and how the film negotiates and adapts classic Bond tropes in the ‘age of terrorism’. | |
dc.description.url | https://brill.com/view/book/edcoll/9789004344013/B9789004344013_009.xml | |
dc.identifier.uri | http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/730 | |
dc.language.iso | eng | |
dc.publishedIn | Leiden, Boston | |
dc.publisher | Brill | Rodopi | |
dc.relation.doi | 10.1163/9789004344013 | |
dc.relation.editor | Lindner, Oliver | |
dc.relation.editor | Schneider, Ralf | |
dc.relation.ispartof | London post-2010 in British Literature and Culture | |
dc.relation.ispartofseries | Spatial Practices; 24 | |
dc.rights | L::The Stacks License | |
dc.subject.ddc | ddc:791 | |
dc.subject.ddc | ddc:820 | |
dc.subject.field | englishstudies | |
dc.subject.field | filmstudies | |
dc.title | Fighting on the Home Front: Skyfall (2012) and James Bond’s London | |
dc.type | anthologyArticle | |
dc.type.version | acceptedVersion | |
dspace.entity.type | Publication |
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