Converging Media and Modes: Digital Textuality and the Dissolution of Media Borders in Steven Hall’s The Raw Shark Texts

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dc.bibliographicCitation.firstPage209en_US
dc.bibliographicCitation.lastPage220en_US
dc.contributor.authorFan, Lai-Tze
dc.date.accessioned2021-08-26T07:09:04Z
dc.date.available2021-08-26T07:09:04Z
dc.date.issued2015en_US
dc.identifier.doi10.17875/gup2021-1709
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1343
dc.language.isoengen_US
dc.publishedInGöttingenen_US
dc.publisherGöttingen University Pressen_US
dc.relation.doi10.17875/gup2015-840
dc.relation.editorGeorgi, Claudia
dc.relation.editorGlaser, Brigitte Johanna
dc.relation.ispartofConvergence Culture Reconsidereden_US
dc.relation.ispartofaltMedia - Participation - Environmentsen_US
dc.relation.ispartofseriesGöttinger Schriften zur Englischen Philologie; 9
dc.rightsL::CC BY-SA 4.0en_US
dc.subject.ddcddc:820en_US
dc.subject.fieldenglishstudiesen_US
dc.subject.fielddigitalhumanitiesen_US
dc.subject.fieldmediastudiesen_US
dc.subject.fieldliterarystudiesen_US
dc.titleConverging Media and Modes: Digital Textuality and the Dissolution of Media Borders in Steven Hall’s The Raw Shark Textsen_US
dc.typeanthologyArticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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GSEP 09: Convergence Culture Reconsidered: Media - Participation - Environments