Early/Post-Cinema
The Short Form, 1900/2000
dc.bibliographicCitation.firstPage | 1 | en_US |
dc.bibliographicCitation.lastPage | 37 | en_US |
dc.contributor.author | Mayer, Ruth | |
dc.date.accessioned | 2022-07-13T09:53:10Z | |
dc.date.available | 2022-07-13T09:53:10Z | |
dc.date.issued | 2016 | en_US |
dc.description.url | https://reframe.sussex.ac.uk/post-cinema/5-2-mayer/ | en_US |
dc.identifier.uri | http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/2139 | |
dc.language.iso | eng | en_US |
dc.publishedIn | Falmer | en_US |
dc.publisher | REFRAME Books | en_US |
dc.relation.editor | Denson, Shane | |
dc.relation.editor | Leyda, Julia | |
dc.relation.ispartof | Post-Cinema | en_US |
dc.relation.ispartofalt | Theorizing 21st-Century Film | en_US |
dc.rights | L::CC BY-NC 4.0 | en_US |
dc.subject.ddc | ddc:791 | en_US |
dc.subject.field | americanstudies | en_US |
dc.subject.field | filmstudies | en_US |
dc.subject.field | history | en_US |
dc.subject.field | popularculture | en_US |
dc.title | Early/Post-Cinema | en_US |
dc.title.alternative | The Short Form, 1900/2000 | en_US |
dc.type | anthologyArticle | en_US |
dc.type.version | publishedVersion | en_US |
dspace.entity.type | Publication |
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