Film Serials and the American Cinema, 1910-1940

Operational Detection
dc.contributor.authorBrasch, Ilka
dc.date.accessioned2022-08-01T08:08:35Z
dc.date.available2022-08-01T08:08:35Z
dc.date.issued2018en_US
dc.description.abstractBefore the advent of television, cinema offered serialised films as a source of weekly entertainment. This book traces the history from the days of silent screen heroines to the sound era's daring adventure serials, unearthing a thriving film culture beyond the self-contained feature. Through extensive archival research, Ilka Brasch details the aesthetic appeals of film serials within their context of marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both serialised visual culture and the affordances of the media-modernity of the early 20th century. The study furthermore traces how film serials brought the broadcast model of radio and television to the big screen and thereby introduced models of serial storytelling that informed popular culture even beyond the serial's demise.en_US
dc.identifier.doi10.1515/9789048537808
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/2169
dc.language.isoengen_US
dc.publishedInAmsterdamen_US
dc.publisherAmsterdam University Pressen_US
dc.relation.ispartofseriesFilm Culture in Transition;
dc.rightsL::CC BY-NC-ND 4.0en_US
dc.subject.ddcddc:791en_US
dc.subject.fieldamericanstudiesen_US
dc.subject.fieldmediastudiesen_US
dc.subject.fieldfilmstudiesen_US
dc.subject.fieldhistoryen_US
dc.titleFilm Serials and the American Cinema, 1910-1940en_US
dc.title.alternativeOperational Detectionen_US
dc.typemonographen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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