Indian Diamonds in Victorian Fiction: Wilkie Collins’ 'The Moonstone', Anthony Trollope’s 'The Eustace Diamonds', R. L. Stevenson’s 'The Rajah’s Diamond' and Arthur Conan Doyle’s 'The Sign of Four'

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dc.bibliographicCitation.firstPage103en_US
dc.bibliographicCitation.lastPage191en_US
dc.contributor.authorFazli, Sabina
dc.date.accessioned2021-08-25T14:50:46Z
dc.date.available2021-08-25T14:50:46Z
dc.date.issued2012en_US
dc.identifier.doi10.17875/gup2021-1687
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1323
dc.language.isoengen_US
dc.publishedInGöttingenen_US
dc.publisherGöttingen University Pressen_US
dc.relation.doi10.17875/gup2012-433
dc.relation.editorReitemeier, Frauke
dc.relation.ispartofStrangers, Migrants, Exilesen_US
dc.relation.ispartofaltNegotiating Identity in Literatureen_US
dc.relation.ispartofseriesGöttinger Schriften zur Englischen Philologie; 6
dc.rightsL::CC BY-ND 3.0en_US
dc.subject.ddcddc:820en_US
dc.subject.fieldenglishstudiesen_US
dc.subject.fieldliterarystudiesen_US
dc.titleIndian Diamonds in Victorian Fiction: Wilkie Collins’ 'The Moonstone', Anthony Trollope’s 'The Eustace Diamonds', R. L. Stevenson’s 'The Rajah’s Diamond' and Arthur Conan Doyle’s 'The Sign of Four'en_US
dc.typeanthologyArticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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GSEP 06: Strangers, Migrants, Exiles: Negotiating Identity in Literature