The Making of a Man in British Films: How Masculinity is Constructed in the Editing Room

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dc.bibliographicCitation.firstPage32
dc.bibliographicCitation.issue2
dc.bibliographicCitation.lastPage41
dc.bibliographicCitation.volume102
dc.contributor.authorSchwanebeck, Wieland
dc.date.accessioned2020-12-21T10:34:40Z
dc.date.available2020-12-21T10:34:40Z
dc.date.issued2018
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/713
dc.language.isoeng
dc.relation.issn2627-4264
dc.relation.journalHard Times
dc.rightsL::The Stacks License
dc.subject.ddcddc:791
dc.subject.fieldenglishstudies
dc.subject.fieldfilmstudies
dc.titleThe Making of a Man in British Films: How Masculinity is Constructed in the Editing Room
dc.typearticle
dc.type.versionpublishedVersion
dspace.entity.typePublication
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