Browsing by Contributor "Gross, Florian"
Now showing items 1-14 of 14
-
(2021):"Bohemian Like You: The Construction of Cool Sound Collectives in Serial Television." The Acoustics of the Social on Page and Screen. Ed. Nathalie Aghoro. New York: Bloomsbury, 130–146.Article in Anthology
-
(2021):"The Bowery Boys: Podcasting Serial Historiography Within and Through Participatory Culture." Participations: Journal of Audience and Reception Studies 18.1: 362–380.Journal Article
-
(2012):"'Brooklyn Zack Is Real': Irony and Sincere Authenticity in 30 Rock." The Aesthetics of Authenticity: Medial Constructions of the Real. Eds. Wolfgang Funk, Florian Gross and Irmtraud Huber. Bielefeld: transcript Verlag, 237–260. Kultur- und Medientheorie.Article in Anthology
-
(2015):"Creative Cities and Country Cool: New York City's High Line as a Middle Landscape between Rural and Urban America." Rural America. Eds. Antje Kley and Heike Paul. Heidelberg: Universitätsverlag Winter, 401–422. American Studies – A Monograph Series 253.Article in Anthology
-
(2012):"Exploring the Empty Plinth: The Aesthetics of Authenticity." The Aesthetics of Authenticity: Medial Constructions of the Real. Eds. Wolfgang Funk, Florian Gross and Irmtraud Huber. Bielefeld: transcript Verlag, 9–21. Kultur- und Medientheorie.Article in Anthology
-
(2022):"From the New York Crystal Palace to the World of Tomorrow: World Fairs as a Transnational Series." World Fairs and the Global Moulding of National Identities: International Exhibitions as Cultural Platforms, 1851–1958. Eds. Joep Leerssen and Eric Storm. Leiden: Brill, 84–106. National Cultivation of Culture 27.Article in Anthology
-
(2018):"The Future That Was Lost: Newness, Seriality, and the 1939/1940 and 1964/1965 New York World's Fairs." Modernities and Modernization in North America. Eds. Ilka Brasch and Ruth Mayer. Heidelberg: Universitätsverlag Winter, 307–330. American Studies – A Monograph Series 298.Article in Anthology
-
-
(2012):"A Kinder, Gentler Americanization? Transnational Cool in the TV Series 30 Rock." Transnational American Studies. Ed. Udo J. Hebel. Heidelberg: Universitätsverlag Winter, 519–539. American Studies – A Monograph Series 222.Article in Anthology
-
(2013):"Lost in Translation: Narratives of Transnational Displacement in the Wordless Graphic Novel." Transnational Perspectives on Graphic Narratives: Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 197–210.Article in Anthology
-
(2021):"(Re-)Dressing the Naked City: Hipsters, Urban Creative Culture, and Gentrification in New York City." Hipster Culture: Transnational and Intersectional Perspectives. Ed. Heike Steinhoff. New York: Bloomsbury, 27–46.Article in Anthology
-
(2019):"(Re-)Making American Culture: The Crystal Palace and the Transnational Series and Adaptations of Antebellum New York City." Popular Culture – Serial Culture: Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s-1860s. Eds. Daniel Stein and Lisanna Wiele. London: Palgrave Macmillan, 311–327. Palgrave Studies in Nineteenth-Century Writing and Culture.Article in Anthology
-
(2011):"Stephan Ditschke, Katerina Kroucheva, and Daniel Stein (2009): Comics: Zur Geschichte und Theorie eines populärkulturellen Mediums." Amerikastudien/American Studies 56.3: 491–494.Review
-
(2012):"'To emerge from its transitional funk': The Amazing Adventures of Kavalier & Clay's Intermedial Dialogue with Comics and Graphic Novels." Scandinavian Journal of Comic Art 1.2: 4–28.Journal Article
