dc.contributor.author | Schabert, Ina |
dc.date.accessioned | 2021-08-25T10:59:28Z |
dc.date.available | 2021-08-25T10:59:28Z |
dc.date.issued | 2016 |
dc.identifier.uri | http://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1275 |
dc.language.iso | ger |
dc.publisher | Göttingen University Press |
dc.relation.ispartof | Shakespeare im Spiegelkabinett |
dc.rights | L::CC BY-SA 4.0 |
dc.subject.ddc | ddc:305.3 |
dc.subject.ddc | ddc:820 |
dc.title | Shakespeares Hamlet und die Frauen: Rezeptionsgeschichte als Emanzipationsgeschichte |
dc.type | anthologyArticle |
dc.subject.field | englishstudies |
dc.subject.field | genderstudies |
dc.subject.field | literarystudies |
dc.bibliographicCitation.firstPage | 9 |
dc.bibliographicCitation.lastPage | 31 |
dc.identifier.doi | 10.17875/gup2021-1652 |
dc.publishedIn | Göttingen |
dc.relation.editor | Alam, Sarah |
dc.relation.editor | Schaff, Barbara |
dc.type.version | publishedVersion |
dc.relation.doi | 10.17875/gup2016-1002 |
dc.relation.ispartofalt | Zur produktiven Vielfalt seiner Rezeption |