Re-framing the Ethnographic Encounter

Les Maîtres fous
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dc.bibliographicCitation.firstPage198en_US
dc.bibliographicCitation.issue1/2en_US
dc.bibliographicCitation.lastPage221en_US
dc.bibliographicCitation.volume87en_US
dc.contributor.authorMeyer, Michael
dc.date.accessioned2022-06-22T14:28:16Z
dc.date.available2022-06-22T14:28:16Z
dc.date.issued2017en_US
dc.description.abstractThe controversy provoked by Rouch’s Les Maîtres fous resulted both from the ambiguity of the unfamiliar Hauka ritual at the center of the film, and from the complexity of Rouch’s verbal and visual framing of the event. The dialogic framing does not hedge interpretation, but rather multiplies the ritual’s potential meanings in Rouch’s contradictory views of both the ethnographer’s position and the object of observation in essays, in interviews, in his voice-over commentary, and in his editing of the footage.en_US
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/2058
dc.language.isoengen_US
dc.language.isofreen_US
dc.relation.issn1957-7850en_US
dc.relation.journalJournal des Africanistesen_US
dc.rightsL::The Stacks Licenseen_US
dc.subject.ddcddc:800en_US
dc.subject.fieldenglishstudiesen_US
dc.subject.fieldanglophoneliteratureen_US
dc.subject.fieldmediastudiesen_US
dc.subject.fieldfilmstudiesen_US
dc.subject.fieldliterarystudiesen_US
dc.titleRe-framing the Ethnographic Encounteren_US
dc.title.alternativeLes Maîtres fousen_US
dc.title.specialissueJean Rouch. Ethnologue et Cineasteen_US
dc.typearticleen_US
dc.type.versionacceptedVersionen_US
dspace.entity.typePublication
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