Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson

dc.contributor.authorBarratt-Peacock, Ruth
dc.date.accessioned2021-06-04T12:38:19Z
dc.date.available2021-06-04T12:38:19Z
dc.date.issued2020
dc.description.abstractDrawing on Bernd Mahr’s model theory, this volume introduces a new approach to Romanticism in contemporary Australian literature. Focusing on two very different authors, David Malouf and the Indigenous poet Samuel Wagan Watson, this book highlights their similarities rather than their differences. It is the first book-length study dedicated specifically to each author’s poetic oeuvre. Comprehensive readings reveal that an ironic dialectic underpins how each poet writes from within a disjunct of culture and environment following colonisation, finding hope in dialogue and a productive process of negative assertion. The theoretical framing of Romanticism developed here effectively rehabilitates Romanticism as a productive paradigm in contemporary Australian poetry.
dc.description.urlhttps://www.peterlang.com/view/title/73146
dc.format.extent292
dc.identifier.doi10.3726/b17077
dc.identifier.isbn9783631819647
dc.identifier.isbn9783631819630
dc.identifier.isbn9783631819654
dc.identifier.isbn9783631812686
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/980
dc.language.isoeng
dc.publishedInBerlin
dc.publisherPeter Lang
dc.relation.ispartofseriesMUSE: Munich Studies in English; 45
dc.rightsL::CC BY 4.0
dc.subject.ddcddc:800
dc.subject.fieldaustralianstudies
dc.subject.fieldliterarystudies
dc.titleConcrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson
dc.typemonograph
dc.type.versionpublishedVersion
dspace.entity.typePublication
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