The "War on Terror" in Contemporary Hollywood Cinema: Ridley Scott’s 'Body of Lies' and Jeffrey Nachmanoff ’s 'Traitor'

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dc.bibliographicCitation.firstPage93en_US
dc.bibliographicCitation.lastPage129en_US
dc.contributor.authorEdelmann, Dennis
dc.date.accessioned2021-08-25T15:07:36Z
dc.date.available2021-08-25T15:07:36Z
dc.date.issued2013en_US
dc.identifier.doi10.17875/gup2021-1693
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1329
dc.language.isoengen_US
dc.publishedInGöttingenen_US
dc.publisherGöttingen University Pressen_US
dc.relation.doi10.17875/gup2013-434
dc.relation.editorReitemeier, Frauke
dc.relation.ispartof"Deepe things out of darkenesse"en_US
dc.relation.ispartofaltEnglish and American Representations of Conflictsen_US
dc.relation.ispartofseriesGöttinger Schriften zur Englischen Philologie; 7
dc.rightsL::CC BY-ND 3.0en_US
dc.subject.ddcddc:791en_US
dc.subject.fieldamericanstudiesen_US
dc.subject.fieldfilmstudiesen_US
dc.titleThe "War on Terror" in Contemporary Hollywood Cinema: Ridley Scott’s 'Body of Lies' and Jeffrey Nachmanoff ’s 'Traitor'en_US
dc.typeanthologyArticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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GSEP 07: "Deepe things out of darkenesse": English and American Representations of Conflicts