Becky Driscoll as femme fatale? Elements of film noir in Don Siegel’s 'Invasion of the Body Snatchers'

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dc.bibliographicCitation.firstPage151en_US
dc.bibliographicCitation.lastPage157en_US
dc.contributor.authorBurfeind, Solveig
dc.date.accessioned2021-08-25T14:00:21Z
dc.date.available2021-08-25T14:00:21Z
dc.date.issued2011en_US
dc.identifier.doi10.17875/gup2021-1680
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/1317
dc.language.isoengen_US
dc.publishedInGöttingenen_US
dc.publisherGöttingen University Pressen_US
dc.relation.doi10.17875/gup2011-439
dc.relation.editorGeorgi, Sonja
dc.relation.editorLoock, Kathleen
dc.relation.ispartofOf Body Snatchers and Cyberpunksen_US
dc.relation.ispartofaltStudent Essays on American Science Fiction Filmsen_US
dc.relation.ispartofseriesGöttinger Schriften zur Englischen Philologie; 5
dc.rightsL::CC BY-ND 3.0en_US
dc.subject.ddcddc:791en_US
dc.subject.fieldamericanstudiesen_US
dc.subject.fieldfilmstudiesen_US
dc.titleBecky Driscoll as femme fatale? Elements of film noir in Don Siegel’s 'Invasion of the Body Snatchers'en_US
dc.typeanthologyArticleen_US
dc.type.versionpublishedVersionen_US
dspace.entity.typePublication
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GSEP 05: Of Body Snatchers and Cyberpunks: Student Essays on American Science Fiction Films