The Painter's Hand and Hitchcock's Silhouette: A Study of Signatures.

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dc.bibliographicCitation.firstPage87
dc.bibliographicCitation.lastPage159
dc.contributor.authorSchwanebeck, Wieland
dc.date.accessioned2020-12-23T14:21:51Z
dc.date.available2020-12-23T14:21:51Z
dc.date.issued2015
dc.identifier.urihttp://resolver.sub.uni-goettingen.de/purl?fidaac-11858/739
dc.language.isoeng
dc.publishedInLeipzig
dc.publisherLeipziger Universitätsverlag
dc.relation.editorKohn, Ulrike
dc.relation.editorSchwanebeck, Wieland
dc.relation.editorSpieler, Sophie
dc.relation.ispartofConstructions of the gendered self across the media
dc.relation.ispartofseriesDresdner Beiträge zur Geschlechterforschung in Geschichte, Kultur und Literatur; 6
dc.rightsL::The Stacks License
dc.subject.ddcddc:791
dc.subject.fieldamericanstudies
dc.subject.fieldfilmstudies
dc.titleThe Painter's Hand and Hitchcock's Silhouette: A Study of Signatures.
dc.typeanthologyArticle
dc.type.versionpublishedVersion
dspace.entity.typePublication
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